Mr David Bowie, the late, great artist whose birthday was 8 January, underwent a marked reinvention in 1983. This was nothing unusual, but the iteration of Bowie who emerged that year was perhaps his most quietly radical. Three years earlier, with the release of his < Scary Monsters (And Super Creeps)> album, the singer had lurked as the progenitor of the New Romantic scene, smeared in greasepaint and dressed in a wire mesh Pierrot costume by Ms Natasha Korniloff. Then followed a three-year pause as he extricated himself from his contracts with his manager and his record label, RCA.
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